Baby, by contrast, raps in a rolling, post-Thug legato-a flatter affect punctuated by brief moments of musicality. While much has been made of the way Future uses Auto-Tune’s eerie technological aftertaste to accentuate human pain, Durk is due credit for being one of the effect’s most nimble users, deploying it to keep the listener at arm’s length or to lure them in, underscoring melodies or cutting atonally against them. Lil Baby and Durk’s new joint album, The Voice of the Heroes, is not quite a marquee work for either artist, though it is reliably consistent and casts them as a natural pair-near-ideal complements to one another in writing and execution.Īs a vocalist, Durk is more broadly emotive and consistently animated than Baby. Last year, his phenomenally engrossing album My Turn and the Grammy-nominated protest single “ The Bigger Picture” made him perhaps the hottest rapper alive. When he did commit to music, it was an onslaught: Baby dropped five solo records in 19 months, an instant favorite of fans, and then critics.
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He was also poised and preternaturally cool-which might explain why his longtime friend, Young Thug, would pay Baby whatever money he might make during a day in the streets to come to the studio instead.
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LIL BABY TOO HARD ZIP ZIPPYSHARE SERIES
While Durk was hopping across the country and trying to refine his commercial approach, Lil Baby, a native Atlantan, was in and out of jail on a series of drug charges.